Thursday, July 2, 2015

Our Orbit: The Musical Elements

Many thanks to you, Dawn, for hosting me on your blog today. When I first stopped by several weeks ago, I was very impressed with your use of music on the website. That struck me as a special inspiration you could turn to at any time to refresh your mood or energize your writing! Songs that we love and melodies we remember from long ago are a rich source of imagery for many writers, I think. You inspired me to look back at my novel, Our Orbit, to consider how I used music in that story.

The first instance comes in the opening scene. It's just a small point, but I think it helps to reveal the main character. Miriam Winslow is a girl of nine, the youngest child of a close-knit working-class family. Before the plot takes off with Miriam's forced removal from her home and placement in foster care, I wanted to give a glimpse of how her intimate family members knew her. Rather than spend a lot of space of this, I tried to choose a telling detail. Miriam's feeling for music helped me out—


[As Miriam's mother, Emaline, drives through a snowstorm to pick up an older daughter, they bypass the turn for their home at Friendly Village Mobile Home Park.] Emaline suppressed a sigh. Instead of slowing for the turn, she tapped the horn and called out, “Hold the fort, Friendly!”

“Friendly, holding steady—” sang little Miriam from the back seat, quick to answer the cue in this family routine of forgotten origin, homage to the home where Emaline arrived as a bride half her life ago.

In this short passage, my aim was to show that Miriam is a happy child who enjoys melody and is not shy about sharing her voice. She expresses loyalty to her family by singing a "ditty" they invented for fun before she was born. As the story goes on, readers will learn that Miriam's older brothers and sister have largely given up such family rituals as they began to deal with mainstream culture at school and among their peers. Miriam is the one who keeps family traditions alive, and she will bring them to her new foster family.

As a motif in our writing, music can play a wonderful role in revealing cultural differences between groups of people. Our Orbit is a story that explores these differences on a small, local scale: Miriam's birth family and her foster family have a great deal in common, and yet they belong to separate groups with limited contact. Both families have lived in the same Ohio county for generations. They are of the same race and similar heritage from northern Europe. And both families are Protestant Christians of weekly church-going habits. Even so, the barriers between them are economic class and educational background.

When Miriam first attends church with her foster family, she is awed by the large building, bright chandeliers, and long hallways for Sunday school classes and meeting rooms. People are more dressed up than she is accustomed to, and all their clothes are new and brightly colored. But it is Miriam's reaction to the music at this big, new church that makes clear to readers: She grew up on the other side of the tracks—

While Miriam ran up the church steps…she heard a choir strike up a song inside. Sounded like a hundred people! Across the bright lobby…you could see the flash of white-and-gold robes as the singers stepped left, right, back, front, clapping their hands on each move. A rock band with guitars and drums was playing along. Tambourines rattled…

This must be the hugest church in town, Miriam thought, All we have back at Holy Redeemer is one little piano. And even with every person singing, there were only a few dozen voices…

Miriam's home church was a small, "backwoods" congregation without paid professionals to direct a choir or perform on the instruments. Although she soon comes to appreciate the music at her foster family's prosperous church, her first impression is mixed. Based on her experience, the "loud, peppy music" seems more like a performance than a call to worship. More like a "dance party" than an occasion to repent one's sins.

When Miriam's foster father, Rick, takes her back to visit her home church, Holy Redeemer Tabernacle, we see the tradition through his eyes—


[It was] a tiny white-washed church on Key Ridge, south of town… The piano’s tinny chords rang out… There was no choir director and no hymnals, but harmony swelled from two to four parts. The voices were strong for such an elderly crowd—

To Canaan’s land I’m on my way,

    Where the soul of man never dies,

        And my darkest nights will turn to day,

            Where the soul of man never dies…

People embraced. Some laughed, others wiped away tears…

Here is a list of a few songs that played in my head as I worked on Our Orbit. I've hunted up those I could find on YouTube to give an impression of how they sound. Some of the hymns are quoted in the book (as in the scene above), while others served more to set a mood for my writing.

"The Soul of Man Never Dies" performed by Tony Rice and Ricky Skaggs. From the DVD "Legends of Flatpicking Guitar,"-  view on youtube.

"There is a Balm in Gilead" performed by Mahalia Jackson - view on youtube.  

"The Stable Song" performed by Gregory Alan Isakov - view on youtube.

And to close on a happy note, here is "Dreams" performed by the Cranberries. This is the favorite song of Miriam's teenage sister Rachelle. It becomes embarrassing to Rachelle when her friends make fun of the band because they are Irish and "talk funny"! So we see that Rachelle's musical taste is a bit more open-minded than some of the people around her  - view on youtube.

BIO:  Anesa Miller is a recipient of a Creative Writing Fellowship from the Ohio Arts Council. She studied writing at Kenyon College and the University of Idaho. Her work has been published in The Kenyon Review, The California Quarterly, the Southern Humanities Review, and others. Her debut novel, Our Orbit, releases from Booktrope of Seattle in June 2015.



Book blurb:  Nine-year-old Miriam Winslow never wore new clothes, never had a haircut, and believes that sinners must repent with dramatic displays of remorse, or harm will come to their loved ones. Now thrust into foster care, Miriam must adapt to a secular lifestyle while struggling to keep in touch with her past. Foster parents Rick and Deanne Fletcher quickly come to love their “new little girl.” Soon they meet the rest of Miriam’s family. Uncle Dan believes he was abducted by aliens. Sister Rachelle, just out of juvenile detention, harbors painful secrets. Brother Josh is outraged that the Fletchers disrespect Christian teachings. He vows to take Miriam out of their home and put a stop to meddling in his family's way of life.

Now a finalist in the Next Generation Indie Book Awards for Best Regional Fiction, Our Orbit captures the tension between modernity and tradition in the Appalachian corner of southern Ohio. "A literary novel that reads at the pace of a thriller."

Anesa Miller's new novel, OUR ORBIT, is available at:
and by order from most brick-and-mortar stores.
You can always find Anesa at:
Have a great day. Read a book and laugh!


  1. So many thanks for hosting me, Dawn, and for providing the inspiration. This was a fun one to write, and it didn't occur to me till this opportunity came along <3

    1. You're very welcome. Always happy to help spread the word for other authors.

  2. I recently came across your blog and have been reading along. I thought I would leave my first comment. I don't know what

    to say except that I have enjoyed reading. Nice blog. I will keep visiting this blog very often.

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